A) Botticelli's La Primavera (Birth of Spring)
B) Bramante's Tempietto
C) Michelangelo's Pietà
D) Leonardo's Madonna of the Rocks
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A) a stone enclosure used as a royal residence
B) a marble temple built on a flattened mountain
C) a pyramidal stone altar employed for sacrifice
D) a merchant who used wealth to patronize the arts
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A) Machiavelli's Prince
B) Leonardo's Notebooks
C) Botticelli's Adoration of the Magi
D) Masaccio's Holy Trinity
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Multiple Choice
A) Pico della Mirandola
B) Marsilio Ficino
C) Donato Bramante
D) Heinrich Isaac
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Multiple Choice
A) the intellectual companion of Michelangelo in Rome
B) an important patron of Renaissance music and learning
C) the subject of numerous portraits by Leonardo
D) the deposed leader of Florence following the Medici era
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Multiple Choice
A) power should be used with cunning and ruthlessness
B) human weakness is to be gently denounced with laughter
C) humanity is saved by the grace of a loving God
D) humans are free to define their own nature as brutish or divine
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Multiple Choice
A) Brunelleschi's Cathedral dome
B) Michelangelo's Pietà
C) Machiavelli's The Prince
D) Botticelli's La Primavera (Birth of Spring)
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Multiple Choice
A) Filippo Brunelleschi
B) Michelangelo Buonarroti
C) Masaccio
D) Filippo Ghiberti
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Multiple Choice
A) Michelangelo's Moses
B) the School of Athens
C) Donatello's David
D) Bramante's design for St. Peter's
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Multiple Choice
A) Brunelleschi's Cathedral dome
B) Michelangelo's Pietà
C) Machiavelli's The Prince
D) Botticelli's La Primavera (Birth of Spring)
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A) Donato Bramante
B) Michelangelo Buonarroti
C) Raphael Sanzio
D) Leonardo da Vinci
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A) being sung by the Sistine choir
B) in the print workshop of Aldus Manutius
C) on the walls of the Vatican palace
D) being played by a court musician
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A) Michelangelo
B) Masaccio
C) Lorenzo Ghiberti
D) Filippo Brunelleschi
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Multiple Choice
A) masterful and innovative use of linear perspective
B) application of a mysterious sfumato across the surface
C) blending of classical mythology with Christian symbols
D) a grand pictorial scheme of interlocking triangles
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A) the choice to paint the ceiling in fresco
B) disguised portraits of other Renaissance artists in the painting
C) the painter's idealized portrayal of the female nude
D) the theme of the spirit in conflict with flesh
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