A) identified according to artistic style
B) created for utilitarian purposes
C) bearers of cultural meaning
D) part of a Western aesthetic canon
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Multiple Choice
A) elite artisans
B) wealthy merchants
C) divinely inspired geniuses
D) laborers
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A) abstraction
B) illusionistic
C) nonrepresentational
D) stylization
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A) Giorgio Vasari
B) Pliny the Elder
C) Johann Joachim Winckelmann
D) Parrhasios
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A) connoisseurship
B) iconography
C) formal analysis
D) contextualism
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Multiple Choice
A) abstract
B) naturalistic
C) nonrepresentational
D) trompe l'oeil
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A) canon
B) iconography
C) Eucharist
D) altar
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A) familial interaction
B) an artist's studio
C) sculptural techniques
D) early self-portraits
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A) abstract
B) illusionistic
C) nonrepresentational
D) figural
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A) It symbolizes the transience of life.
B) It functions as the artist's signature.
C) It represents the power of the imperial family.
D) It references one of the artist's friends.
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Multiple Choice
A) Baroque
B) Ancient Rome
C) Renaissance
D) Middle Ages
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Multiple Choice
A) The Drawing Lesson
B) Two Callas
C) Diary (Minidoka Series #3)
D) Flower Piece with Curtain
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Multiple Choice
A) Latin word for artist
B) Greek word for art
C) French word for picture
D) Egyptian word for skill
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Multiple Choice
A) connoisseur
B) patron
C) artist
D) viewer
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Multiple Choice
A) self-portrait
B) lithograph
C) still life
D) trompe l'oeil
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Multiple Choice
A) It employs the trompe l'oeil technique to portray an illusionistic flower.
B) It references the Classical story of the competition between Zeuxis and Parrhasios.
C) It is nonrepresentational because it depicts pure geometric forms.
D) It captures the vigor of the flower's life force through abstraction rather than realism.
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Multiple Choice
A) Utamaro accentuates the figure's sexual attributes through the sensual posing of her body.
B) Utamaro emphasizes rich textiles and surface patterns over bodily form.
C) Utamaro uses the bronze medium to draw attention to the figure's spiritual beauty.
D) Utamaro references the figure's lost beauty by depicting her as emaciated and ugly.
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Multiple Choice
A) the Akropolis
B) Whistler's Harmony in Blue and Gold
C) Zhu Da's Quince (Mugua)
D) Rembrandt's The Last Supper
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Multiple Choice
A) Classicism
B) Japanese woodblock prints
C) Renaissance engravings
D) Italian wall paintings
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Multiple Choice
A) artist's involvement in trade
B) owner's wealth
C) artist's marriage
D) owner's political ideology
Correct Answer
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